The Hour Between Us

I have been grieving these past few days. It’s not intense but ever present, making every morning feel like a careful step. I have been taking things slowly. I sleep when my body asks. I journal when I feel overwhelmed. I make simple meals and spend less time on social media or reading the news.

Today, on Valentine’s Day, the pain rises closer to the surface. I read that the brain areas that register physical pain also register emotional hurt. The idea almost makes a paracetamol seem logical, as if the heart carried a headache, though I know medicine will not soothe it.

I am sharing two poems I wrote years ago because they hold what I feel more clearly than I can right now. They come from two sides of the same moment. The first poem speaks from her view, aware that time never pauses. The second answers from his side of the same room, the same bed, the same slowly emptying hourglass.

Image source

Her Perspective

Slipping Away

We are dying a little more each day,
you, me, the neighbor with the cracked glasses,
the woman at the train station
who waits for no one.
The boy who lost his dog
last November.

But,
we live like we have
all the time in the world,
we wake to alarms that steal
the dreams from our skin,
eat breakfast,
leave dishes in the sink,
argue about the bills,
make love as if our bodies
aren’t maps of vanishing places.

Denial is an art,
we are its faithful painters.
We fill our days with notifications,
deadlines, grocery lists,
traffic jams, dinner plans,
laughter.
We say, “see you later”
knowing full well that one day,
one of us won’t.

I watch you
in the soft glow of evening,
the furrow in your brows,
the absent scratch of your fingers.
I watch the flicker of your eyes,
as you skim through a book.
You mutter beneath your breath,
making sense of your read.

Later,
in the hush between midnight and morning,
our fingers trace unseen
constellations across warm skin.
For a moment, time disappears,
leaving only us.

I want to tell you,
the sand in the hourglass
doesn’t pause because
we are too afraid to look.
Instead,
I kiss you,
as if that will keep you here,
just a little longer.


His Perspective

Before the Hourglass Breaks (for Liv)

We are fading,
you and I,
like paper that yellows under glass.
Each day lifts a little color.
I count the changes, afraid
I’ll miss the exact moment
we become part of the past.

And still,
I meet you in the mornings
as though the clock has stalled.
I pour coffee,
listen to the three slow turns
of spoon on porcelain.
We talk about nothing urgent,
leave the bed unmade,
let the light spill over our carelessness.

I keep my hands busy
because if I stop,
I’ll touch your face
and give away too much.
Instead, I watch the shadows
move over your shoulders,
trace the curve of your wrist
as you turn a page,
note the small frown
that settles when a sentence traps you.

Later,
when the world finally goes quiet,
your fingertips search for me in the dark.
I memorize their path,
the pauses,
the breath you release
before you closing the space between us.

I want to tell you,
I feel the sand running too.
That I’ve been learning
how to love without holding,
how to stay without staying.
Instead,
I let my lips find yours,
hoping the taste carries forward
into whatever comes after,
and that you’ll feel me there,
just a little longer
.


I write about Iban culture, ancestral rituals, creative life, emotional truths, and the quiet transformations of love, motherhood, and identity. If this speaks to you, subscribe and journey with me.

If I Could Be a Criminologist for Just One Day

Some prompts ask for fantasy, but this one nudged me toward truthfulness and honesty. If I could choose any job for just one day, I wouldn’t reach for prestige or power. I wouldn’t imagine myself on a stage, in a lab, or leading a corporation. 

I’d choose to be a criminologist. 

No, I have no interest in solving crimes, examining evidence, or pursuing cold cases. Nothing like that. It is because, a long time ago, I met a criminologist and we fell in love. I want to understand him, this man who carries so much and says so little. 

What would it be like to spend a day in his shoes? I want to walk silently through his memories, particularly the ones that linger in crime scenes after everyone has left. I want to sift through his memory that stands still in front of a whiteboard full of tragedies. I want to walk through his memories because I could never reach that part of him no matter how hard I tried.

I wouldn’t be there for the thrill. I’d be there to observe the way he looks at the world when no one’s watching. I’d want to finally learn the stories he never said out loud to me, even when I cradled his head in my arms as he struggled to wake from his dark dreams. 

I’d trace the photographs he pins to the wall—the faces of the dead— and see his handwriting curve along the margins. I’d watch how he circles certain names darker than others, the lines thicker when the pen pressed harder with his instinct. 

At lunch, I’d sit across from him while he quietly picks at his food. I’d watch how his eyes drift with restraint. He sees everything. He just doesn’t always let it show.

Maybe by being a criminologist for a day, I’d learn what it means to hold other people’s pain without crumbling. And maybe I’d finally understand why he sometimes looks at me like I’m a mystery too.

By the end of the day, I’d return the badge, the case files, and boxes full of evidence. I wouldn’t need to stay. 

Because…I never want the job.

I just want the man behind it. 


Some days, love is remembering someone’s shadow. It’s like bearing witness to the way they disappear into themselves, hoping you’ve seen enough to still find them in the dark.

A poem to accompany this piece.

Rain, Neon and Sorrow

The rain spills itself across Taipei.
Neon bleeds into the pavement.
Cold wind, damp coat.
I think of you—
where you are,
what you are seeing,
what ghosts you carry home tonight.

Are you still bent over your desk,
searching for a disease,
fingers tracing the city’s veins—
sharp like a scalpel?

Are you peering again into the abyss?

Tell me—
how much blood have you washed off your hands?
how much stays,
burrowed beneath your nails,
tucked inside your sleepless bones?

I’ve seen you stare past me
with eyes that see things
you will never say.

You kiss me like a man
leaving a crime scene.
Touch me as if memorizing evidence.
Does love feel like guilt to you?

My love won’t pry open your fists,
won’t drag you back from the ledge
among the dead.
In this city of rain, neon and sorrow,
I wonder—
are you still whole?
still awake?
or has the night already claimed you?

Copyright © Olivia JD 2025
All Rights Reserved.